As I continue this series of interviews with my Running Wild Anthology colleagues, I’m particularly pleased to welcome Laura Selinsky; she and I have been members of the same critique group for many years. Her story, “Sea Wall,” touched me with its bittersweet poignancy.
Our Anthology’s cover has gotten comments that it evokes a sense of many varied stories inside.
Does any part of the cover remind you of your story?
I’m not sure the cover reminds me of my specific story, but it does remind me of a library. There is no place where I feel more at home than a library…except maybe the library of my childhood. My hometown library was over the fire station and when the alarms went off- Phew!
Would you add anything to the cover to hint at your story?
I’d add a sifting of sand across the cover. Nothing hints at slow passing time like the imperceptible movement of a sand dune; that’s why the protagonist crosses a sand dune in my story.
What do you like best to write?
I love writing YA high fantasy, so much flexibility in writing magic, alternate species, new cultures, etc. Conversely, all that world-building requires many self-generated rules, and a passion for consistent application of the rules from page to page.
What’s the biggest stretch for you to write?
The hardest thing for me to write is a contemporary teenager; I am excruciatingly careful not to pirate my high school students’ lives. I used to teach adjudicated teens, and I have a novel that considers the juvenile justice system. When I work on that particular novel, I have to be cautious to limit what I know to generalizations, not specific experiences.
Where do your stories fall on the plot-driven vs. character-driven spectrum?
Character-driven! I love tossing two characters in a room and seeing what happens. In the anthology, the story is actually “Image-driven.” I started from the image of a seawall and wondered how it affected or reflected the people who pass it each day.
What authors did you love most as a kid? Now? What authors have influenced your writing most?
When I was read-aloud aged, I loved Kipling because my mom read me the original JUNGLE BOOKS. Later I loved the mythology that I found in my school library, and I still teach elective mythology to high school students. My adult fantasy writing is influenced by the usual suspects, Tolkien, Kay, Mallory… In a practical sense, my writing is influenced by my critique group, which calls me to account for my nonsense and encourages me through my discouragement.
Is there a place that you’ve lived or visited that most influences your writing?
We used to camp in Maine when I was a girl, so I have to watch myself or I’ll write endless cool misty mornings.
What’s the first piece you wrote that you’re still proud of/happy with?
Of my adult writing, I’m proudest of a magazine article about working with high-functioning autistic students. Advise magazine, where the article appeared, has a run of 50,000. I loved the idea of seeing my students fairly portrayed and offered every option for fulfillment in their school lives in a magazine that landed on the desks of 50,000 teachers.
What have you been up to since the Anthology came out? Any other news?
Since the Anthology came out, I signed my first contract for a novel with Anaiah Press. Very exciting!
What do you plan to work on next?
I’m editing the contracted novel under the supervision of my publisher. I am always editing some portion of my fantasy trilogy. I’m also goddess of grammar on my son’s doctoral dissertation…the only part of that I understand is whether the commas are in the right place.
How can readers connect with you?
Twitter- Laura Nelson Selinsky, @huzzahlns
Facebook- Laura Nelson Selinsky
Anything else you’d like to add?
At my first writing conference, I was advised to find a good critique group and stick with it. Best. Advice. Ever. Nothing has contributed more toward making me a thoughtful writer than the critique group I’ve attended for the last eight years. Gemma Brook, the owner of this website, is also the leader of that critique group under the auspices of Pennwriters. Kudos for your leadership, Gemma!
Thank you for the kind words, Laura! Our critique group is really a co-operative effort, and I’ll vouche for you as being not only a goddess of grammar, but a most beneficent one! Thank you for taking part in my blog (and for all your excellent critiquing).