Interview with Dawn DeAnna Wilson

Dawn DeAnna Wilson, Author

It’s my pleasure to continue my series of Running Wild Anthology of Stories interviews with Dawn DeAnna Wilson. Her story, “Los Sueños,” was very vivid and poignant.

Welcome, Dawn!

Gemma: Can you give a taste of what your story is about?
Dawn: The story is about a medical student who can sleep, but she can’t dream. One night, during her pathology rotation, she discovers that she can hear the dreams of the dead.

Gemma: What a striking story premise. Do you remember what the seed for it was?
Dawn: I have serious insomnia, and the whole science of sleep has always fascinated me. There was a sleep center at the hospital I used to work for, and the director knew about all these unusual and bizarre sleep disorders. Essentially, the REM phase in dream sleep is what is responsible for keeping us healthy. Dreams are necessary.

From there, it kind of meandered. I remember thinking of the dead as being “asleep” and wondering what it would be like to never, never be able to dream.

Gemma: That is quite a disturbing concept – and disturbing concepts can turn into great stories. Yours is proof of that.

Cover of Running Wild Anthology of Stories Vol. 3
Our New Anthology

Gemma: How did you find out about this anthology?
Dawn: Through the Submittable website.

Gemma: I need to explore more about Submittable’s calls for submissions and other resources for writers. Do you remember when and why you started writing?
Dawn: I wrote my first story when I was in kindergarten. I loved creating the characters and delving into different worlds. I can never remember a time when I did not want to be an author.

Gemma: That’s impressive – I’m not sure I was writing full sentences when I was in kindergarten! What’s the first piece you wrote that you’re still proud of/happy with?

Dawn: My first novel, “Saint Jude,” is about a young adult with bipolar disorder. The novel is far from perfect, but it has touched the lives of others, which of course, is the whole point of writing.

 

Gemma: That is truly something to be proud of – and the best kind of legacy for a story. Can you tell me a little more about your writing history?

Dawn: My first poem was published when I was in eighth grade and my first short story was published when I was 16.

My work has appeared in such publications as Byline, Writer’s Digest, Evangel, and The Lutheran Journal. I won second-place in the N.C. Poetry Society’s annual contest for my love poem, “Learning English in Four-Letter Words.” My play, “Jesu of Fondue,” has been produced by the Nash County Arts Council and presented as a staged reading at the Storefront Theatre in Waxhaw, NC.

I’m the author of three novels, two traditionally published and one indie published. They are Saint Jude (Tudor Publishers, 2000), Leaving the Comfort Café (The Wild Rose Press, 2007), and the indie published Ten Thousand New Year’s Eves (Carraway Bay Press, 2011). I have also compiled a short story collection that I indie published, Welcome to Shangri-La, North Carolina (Carraway Bay Press, 2011).

Gemma: You have a wonderful array of published work. How has your writing changed over time?
Dawn: I think I’m delving much more into quirky characters, exploring the difficult facets of what makes them who they are. I’m also going more outside my comfort zone, as I’m preparing to tackle a murder mystery novel that is in a genre I’ve never written before.

Gemma: Good for you for going outside your comfort zone! What’s the biggest challenge for you to write?
Dawn: I wouldn’t dare undertake some historical fiction. I would just get so easily overwhelmed by all the research.

Gemma: I have dabbled in historical fiction, and I can totally understand – I got lost in the research for a couple of years, I think! (It was a really good excuse to not get down to the nitty-gritty of writing.) What do you like best to write?

Dawn: It’s hard to say, because every story and every project has its own joys and its own personality. I think that my favorite part of the writing process is the exploration that goes on during that first draft, when you’re getting to know the characters and unearthing the story. It’s like going on a treasure hunt.

Gemma: Oh, that’s a cool analogy. When you get an idea for a story, what comes to mind first, the plot or the character(s)? Or does it vary from story to story?

Dawn: Honestly, sometimes it’s a line or two. Sometimes, it’s a scene that stands out very crisp in my mind. Then I explore—WHY did they say that? Who is in this scene and why is it important?

Gemma: I remember C.S. Lewis saying something about how the Chronicles of Narnia (one of my childhood favorites) started with the image of a faun with an umbrella in a snowstorm. So you are in good company! What authors did you love most growing up? What authors have influenced your writing most?

Dawn: Ray Bradbury, Lloyd Alexander, Ursula K. LeGuin and Rod Searling. And maybe a bit of Donald Barthelme.

Gemma: Ray Bradbury and Lloyd Alexander are two of my favorites to this day! For a long time I’ve been meaning to read Ursula K. LeGuin, and now I want to learn more about Donald Barthelme. On another topic, is there a place that you’ve lived (or visited) that most influences your writing?

Dawn: Living on the coast of North Carolina is a fantastic, inspirational place to write. There’s the gorgeous beaches, the marshy inlets and the full spectrum of Southern characters.

 

Gemma: What are you working on now?

Dawn: I’m polishing up a few short stories to try to get them ready to send out. Not trying to give anything away, but one does have a lizard man in it.

Gemma: A lizard man sounds intriguing! What do you plan to work on next?

Dawn: I’m going to tackle my first murder mystery/thriller that’s kind of in the same vein as the Stephanie Plum series.

Gemma: Going outside your comfort zones like you said! How can readers keep up with you and your writing?

Dawn: I’m around here and there. You can connect with me by contacting me through my website or on my author Facebook page. Although I encourage readers to email me through my website (I’m not on Facebook as much these days. I find that the more I’m on Facebook, the less I write)
Gemma: Oh, yes, social media and the internet in general can be such time-stealers! I find I have to keep offline to get writing done, too.

Thanks for taking time to join me on my blog, Dawn. And Happy Valentine’s Day to you and our readers!

Interview with Monique Gagnon German

Cover of Running Wild Anthology of Stories Vol. 3
Our New Anthology

I’m welcoming 2020 with interviews of some of my Running Wild Anthology of Stories colleagues. I’m delighted to begin with Monique Gagnon German, whose story Creach gripped me with its understated tension.

Welcome, Monique!

photo of author Monique Gagnon German
Monique Gagnon German, poet and author

Gemma: Give us a taste of what your story is about.
Monique: Creach is a story about a family living a simple life off-grid, until the unexpected arrives. Creach asks the question, “When something entirely new shows up in your life, do you embrace it or fear it?”

Gemma: Do you remember what the seed for this story was?
Monique: A parenthood moment spurred this story. With two kids, there is an almost constant barrage of requests for various toys, pets, games, & tech. For me, there’s always this decision-making duality: I want to protect them but I want to give them whatever they need to grow and thrive. Knowing with certainty the “best” yes’s and no’s is impossible.

Gemma: Your story crystallizes and magnifies this paradox so well!
Monique: That is a great compliment. Thank you!
Gemma: You’re very welcome! How did you find out about this anthology?
Monique: I saw a call for submissions. I investigated the background of Running Wild Press and was very impressed with who they are and what they published. When I sampled some of their published pieces, I really wanted to be in that company. I was absolutely thrilled when they wanted Creach.

Gemma: Do you remember when and why you started writing?
Monique: I grew up immersed in books. Quite the book nerd, actually. Some of my heroes include: Alice Walker, Steven King, Stephen Dunn, Nathanial Hawthorne, Lucy Grealy, Flannery O’Connor, Emily Dickinson, and Billy Collins. I wanted their jobs; I wanted to create worlds in stanzas and paragraphs.
Gemma: That is a cool way of putting it! And you wanted to be a poet from the beginning, it sounds like. What’s the first piece you wrote that you’re still proud of/happy with?
Monique: One poem I’m still proud of is, “God’s Voice,” (it was picked up by The Wayfarer).

Cover of Wayfarer magazine

 

Monique: One short story I’m still proud of is, “The Gambit Game” (it was published by The MacGuffin).

Cover of The MacGuffin magazine

 

Gemma: Tell a little about your writing history.
Monique: I started with poetry, but stories were also always coming to mind. I’ve written both pretty much all along, but only in the past few years have I submitted stories for consideration to be published.

Gemma: How has your writing changed over time?
Monique: Hopefully, it has gotten better. By better, I mean better at transporting the reader into the content, so they feel they are “in” it for the journey of the story or poem.
Gemma: In Creach and your more recent story The Now I really felt immersed in the atmospheric worlds you created, so well done! What’s the biggest challenge for you to write?
Monique: My first thought is always, hey, there’s no challenge too big! And then, the second thought races in, every story/poem I write is the current biggest challenge.

Gemma: What do you like best to write?
Monique: Anything that feels new.

Gemma: When you get an idea for a story, what comes to mind first, the plot or the character(s)? Or does it vary from story to story?
Monique: Story ideas are a combination of plot, characters, setting, and mood for me; even at inception they form a sort of blurred painting in my mind. But, usually, the spur that gets me excited to write the story is the engine: the plot concept.
Gemma: I love the “blurred painting” analogy! Plot is often what comes to me first, and spurs me to write, too. Do you tend to know the ending when you start writing?
Monique: Never. Sometimes I think I have an inkling, but I am always wrong. [laughter]

Gemma: Is there a place that you’ve lived (or visited) that most influences your writing?
Monique: I think living in so many places has influenced my writing more than any one place in particular.
Gemma: What are some of the places you’ve lived?
Monique: Massachusetts, Connecticut, Pennsylvania, California, Louisiana, Texas, Colorado, and Arizona – But before you gasp at so many moves, let me explain, I married a Marine some 14 years ago. He’s retired now but we moved every three years for awhile there based on his assignments.

Gemma: What are you working on now?
Monique: A few things are in progress… a few new flash fiction stories… a few new poems. I have a process where I get multiple things started, then edit, change, edit, change, edit until they feel done.
Gemma: I admire your ability to work on more than one thing at a time! Readers can find one of your recent works, The Now, on Typishly. I really liked how swiftly I was immersed in that new world, and the tense journey you took readers on.
Monique: Thank you. I had a weird sense of fun writing The Now, I felt immersed in that world and like I was seeing it rather than “inventing” it. That story really came alive almost movie-like in my mind when I was writing it and it was such a cool journey for me.
Gemma: That is cool! And I think it shows in the story. How can readers connect with you and find out more about your work?
Monique: The best way is through my website or email.

Gemma: Thank you so much for joining me on my blog, Monique! I hope readers will check out your stories in our Anthology, TypishlyThe Wayfarer, and The MacGuffin. And if you haven’t gotten a copy of Running Wild Anthology of Stories Vol. 3 to read her story and all its fine company, do so!

Check back in coming weeks for more interviews with my Anthology colleagues.

 

Guest Blog by Laura Selinsky: Holiday Reading Break

picture of Laura Selinsky
Laura Selinsky, Author and Teacher

Today is St. Nicholas’ Day, a traditional time of gift-giving, and in honor of the occasion I offer you this gift: a blog by my friend Laura Nelson Selinsky.  It is particularly fitting for this day – please read on to find out why!

Candles, a cup of tea, and…a Christmas story. Sure, there are television specials by the score, but nothing compares to cocoa or tea and a heartwarming story after a busy day. I’m here to share my favorite way to step back from my too-busy life and prepare for the holidays.

In my family, we often shared reading breaks before Christmas…our quiet little respite in the hallowed chaos of the season. Until my kids left home, we read aloud regularly. For the holidays, we read everything from Luke’s sublime nativity story to the nonsense of Vip’s Christmas Cookie Sprinkle Snitcher. We read our copy of Barbara Robinson’s The Best Christmas Pageant Ever to tatters. I owe the Christmas reading tradition to my high school drama teacher who read Dylan Thomas’s* A Child’s Christmas In Wales to us each year, a practice I continue in my own classroom.

Perhaps you’d enjoy a holiday reading break of your own. The best place to start is Charles Dickens’* A Christmas Carol, with its happiest of happy endings. Be prepared for a little social justice tucked between the candles and figgy puddings of the Dickens. There are many shortened versions of his novella available, and reading a condensation is not an insult to the author. Dickens himself recited a condensed version on his lecture tours. Christmas Carol always awakens a little holiday spirit. If you are one of Gemma’s writer friends, visiting Scrooge is a good way to review Dickens’ mastery of playing his reader’s heartstrings.

If heartstring tugging is your pleasure, then holiday romances make a perfect break between wrapping and baking. My own little romance Season of Hope** was released by Anaiah Press on November 1. Can two new adults with big responsibilities find holiday happiness at the end of their struggles? Of course! That’s why romance is the perfect genre for a relaxed holiday reading break.

cover art for Season of Hope novella

Gemma’s note: And the hero of this story is a pastor named Nick! Happy Namesake Day, Nick.  

Thank you for sharing your lovely way of calming this hectic season, Laura! I invite readers to connect with you on your Twitter and Facebook. They can also find you on Amazon.

*Thomas’ and Dickens’ works are in the public domain and can easily be obtained online, but reading from a screen is less relaxing than from paper, (blue light, social media, yadda, yadda…). Your public library certainly has A Christmas Carol on paper. {And likewise your local bookstore! Gemma.}

**Season of Hope is available from Anaiah Press  {Gemma’s note: see coupon code for 30% off , then scroll down just a little to see their Seasonal Titles on sale!} or from Amazon. My publisher Anaiah Press has a Santa’s pack  full of charming novels and novellas being released for the holidays. They might be just what your reading break requires.

Banner of Season of Hope cover art

 

 

Guest Blog by Laura Selinsky: Writing By the Numbers

picture of Laura Selinsky
Laura Selinsky, Author and Teacher

{From Gemma: I am deeply pleased to welcome my friend and colleague Laura Nelson Selinsky as a guest on my blog to celebrate the release day of her new novella, Season of Hope. Please read on for Laura’s post.}

Banner of Season of Hope cover art
Release Day Nov. 1 2019

If you are a reader of a certain age, your childhood included “paint by numbers,” an allegedly artistic activity. It was the sort of gift you received at Christmas from childless and unimaginative relations. Paint by numbers sets attempted to quantify beauty and force it into the chubby fingers of eight-year olds. At best, painting by numbers represented a quixotic and foolish quest.

As a fantasy writer, I do love a foolish quest. Today, I’m on a quest to quantify my writing by numbers, starting with zero.

Zero: For much of my life, I wasn’t a fiction writer. That doesn’t mean I didn’t write, but that my writing wasn’t a passionate creative process. In college and seminary, I wrote essays, analyses, and research. As a pastor and ministry leader, I wrote sermons, scripts, and curriculum. For teaching, I wrote reports, emails, and even a few letters. But I wrote zero words of fiction from the day I graduated from grammar school to the day I turned fifty.

Fifty: On my fiftieth birthday, I started a novel. A host of fictional people live in my head, and I wanted to let them out to play. Two months later, I had completed a draft of the still unpublished Daughter of Fire. By the time I was fifty-two, another novel was complete. I began to write query letters, seeking print homes for my books.

300,000: The next decade of writing meant watching my wordcount tick toward the stratosphere. 300,000 is roughly the number of words in A Game of Thrones or Bleak House, depending on how classy you like your wordcounts. And that’s only if I think of each story as a single draft. Some of my projects have been through five drafts; one has been revised nine times. If I consider the number of words deleted, supplemented, or revised? Yikes, that’s a lot of writing. 300,000 is easier to imagine.

Ten: By my sixtieth birthday, I had published a couple of short stories and a nonfiction piece about teaching students with learning differences. My birthday gift was an email from the wonderful editor Kara Leigh Miller, saying that she was taking my Christmas novella before the purchasing committee at Anaiah Press. I had sold Season of Hope by the end of the following week—ten years after I began writing seriously. Through Kara’s editorial guidance Season of Hope grew to 50,000 words, treading the line between an overgrown novella and a wee little novel. Ten is also the number of years that I have spent in a priceless critique group sponsored by Pennwriters and marshalled by Gemma Brook, mistress of this blog.

cover art for Season of Hope novella

One: Season of Hope is being released today, November 1, 2019. It will be followed in ten days by Beach Dreams. I entered my first writing competition this summer, and my short story Shells won second place. That story, a meditation on the ways we measure the children we love, will be featured in Beach Dreams, published by Cat and Mouse Press.

cover art for Beach Dreams anthology
Release Day Nov 10 2019

Winning a writing contest in one try seems absurdly, undeservedly easy if you ignore ten and 300,000. But writers aren’t paint by numbers automatons. If you want to write, ten and 300,000, and the perseverance they represent, are the only numbers that matter.

From Gemma: Thank you for sharing a bit of your writing history, Laura, and the inspiring perseverance encapsulated within. Congratulations on the excellent news of your imminent publications! I invite my readers to connect with you through these links for Facebook and  Twitter or by searching Laura Nelson Selinsky. Readers, you can also find Laura on her Amazon page. And you can meet her in person at the Beach Dreams launch party! If you can’t make the party, you can read new interviews with Laura by Melinda Dozier, by Sara Beth Williams,  and at Batya’s Bits

Christopher Paolini Book Signing

Here Be Dragons!

Saphira Banner for Christopher Paolini's B & N Tour
Saphira Banner

Christopher Paolini’s dragons at Barnes & Noble, to be exact.

Barnes & Noble is hosting an Author Residency Book Tour with Christopher Paolini over the coming months. And from what I’ve seen of it, it’s a lot of fun! The staff at the B&N bookstore I went to made it a great, smooth-running event. Kudos to them.

Now I confess I haven’t read the books (so many books, so little time! I’m a slow reader, and thick books can be daunting). But a dear friend who is an avid and discerning reader has enjoyed them, and that was good enough for me to think about getting the latest book, The Fork, The Witch, and the Worm, for my great-nephew who likes mythology and fantasy.

Cover of The Fork, the Witch, and the Worm by Christopher Paolini
My copy…for now

The Residency Tour is in only about a dozen cities, so I’m quite pleased that the only mid-Atlantic location was in my state! And dragons, like most mythical beasts, are dear to my heart. So I decided to go. My friend Aud Supplee also came, bringing another friend. And Aud has also written a blog about her perspective of the event, so check that out!

 

Crowd waiting for Christopher Paolini at B&N
The Waiting Crowd

My first impression of Christopher Paolini was how warm and unassuming he was, and genuinely delighted to be there. (A friend who works at the store and helped organize the event says he was great to talk to and super-nice behind the scenes, too.) He was content to blend in with the crowd while we were playing trivia with the B&N booksellers. One of the questions was something like, “What did Eragon get from his sister?” Christopher jovially called from the crowd, “More questions!” (Please forgive me, fans – you’ll probably know exactly what that question was, and if it wasn’t about his sister, I apologize! I can only plead ignorance and faulty memory; I wasn’t taking notes.)

Then Christopher took the mike to talk to us. He honestly seemed to enjoy it as much as the audience did.

Christopher Paolini Presenting at B&N
Christopher Presenting

With self-deprecating humor, he said, “Some of you may have noticed that it’s been awhile since my last book.” We all laughed. He explained how he started Eragon when he was 15, (1998), and he was still touring with the fourth book in 2012 – a huge chunk of his young life. When he was done he wanted nothing to do with dragons for awhile! Meanwhile, he’s been writing a big sci-fi book “with tentacles.” But he would wonder at odd moments, “What are Eragon and Saphira doing now?” Then he wondered what it would be like to write about a very old, angry, hungry dragon. “Like Smaug,” I think someone in the audience said. “Or like the dragon in Beowulf,” Christopher said. That formed the basis of the “Worm” story in his new book.

A fan once tweeted him, “What’s Murtagh doing?” Because Christopher was awake at 1:00 a.m. from too much coffee and feeling kind of snarky, he answered, “Fighting off foes with a magic fork named Mr. Stabby.” But then he wondered, Could I write a story like that? That, of course, became “The Fork” in the new collection.

His sister Angela had an idea for a story, and he told her to go for it. That became “On the Nature of Stars,” part of “The Witch.” As Christopher sat down to write the story that weaves together all these tales, he felt like he was returning home after a long journey. “Why did I wait so long?” The audience cheered.

Speaking more about inspiration, he talked about how a certain disappointing blockbuster movie made him think – how could I fix that? Human beings are born storytellers, he says – we know when a story doesn’t work. He talked at length at how flawed writing can inspire a writer more than perfect writing does – as you think about how you could fix things.

As a young boy, he was inspired by a book he loved, Jeremy Thatcher, Dragon Hatcher by Bruce Coville, about a boy who finds a dragon egg. It made him think about what kind of world a dragon would come from, which led to more questions. That’s how we write stories and build worlds, he said – asking questions and answering them as honestly as we can.

Then Christopher engaged briefly in a bit of what he called “shameless self-promotion.” His mother is a homeschooler, and she has published books to help others; he hoped any home-schoolers in the audience would check them out. Also, he mentioned the recent Barnes & Noble Exclusive Collector’s Edition of Eragon. It has a full-color map, (I love book maps), and under the dustcover is the insignia of Brom’s ring, designed by Christopher himself. Pretty cool! Though of course that’s promoting his first book, it’s also supporting Barnes & Noble, his hosts, and like all bricks-and-mortar bookstores they can use all such support. Pretty gracious “self-promotion” if you ask me!

He confirmed (to much audience excitement) that there is a fifth Inheritance book in the works, which will answer a lot of questions. Then the audience asked fun questions, like what fantasy would he like to insert Eragon into. “Does Hunger Games count as fantasy?” His favorite movies? He has so many, including “Pan’s Labyrinth,” “Terminator” and “The Little Princess (1995)”. Yep, an odd juxtaposition, that! Some of his many favorite books include The Worm Ouroboros, by E.R. Eddison, pre-Tolkien fantasy of Tolkien caliber, and Gormenghast, by Mervyn Peak, the gothiest book ever, according to Christopher.

When someone asked what he wished he’d known about publishing at the start, he answered: mistakes are part of the process. A bad sentence, paragraph, even a bad draft doesn’t mean you’re a bad writer. When something makes you uncomfortable, the things you know you’re not good at, push into them. That’s what will make you grow as a writer, and a person.

He read a little from all four books, including an Elven blessing, (he claims he has an awful Elven accent) and something from a very angry Dwarf (he says he has an excellent dwarf accent, because he trills his rrrs with his uvula!) When he read from “The Worm,” (in normal English), it struck me it had a fine, old-epic tone.

If you check out Aud’s blog, you can hear a bit of Christopher speaking, even in the Dwarf language!

Then it was time for the book signing. Even waiting and standing in line was fun – we got to talk to very friendly fans (who didn’t seem to mind my ignorance). Christopher took time to talk to everyone who came up. He was as warm and friendly up close as he was from a distance. And early-comers got a cool Inheritance pin, compliments of Barnes & Noble.

B & N Inheritance Pin for Christopher Paolini signing
B & N’s gift for early comers

Thank you, Barnes & Noble, for hosting such a fun event. Readers, if you’ve enjoyed the books, check out his tour and see if he’s coming anywhere near you.

And thank you, Christopher Paolini. You’ve made me a fan! Even though I bought the book as a gift, and I really shouldn’t, I might just have to peek inside for a read…

 

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