Interview with Ed Burke

 

Ed Burke reading Maia’s Call at Write Action gathering, 2019

I’m very pleased to continue my interviews of Running Wild Anthology of Stories 3 colleagues, this time with author and poet Ed Burke. His story, “Maia’s Call,” truly moved me.

Welcome, Ed! Please give us a taste of what your story is about.

Ed: “Maia’s Call” begins with a phone call to the protagonist, Tom from his former lover, Maia, who asks him to come see her because she is dying. Tom travels from San Francisco to Maia’s home in a remote corner of Vermont. There they spend a night sharing the story of their lives over the intervening years and what has brought them to this point.

Gemma: How did you find out about this anthology?

Ed: I was searching for a small independent publisher for my novel, Christine, Released and came across Running Wild Press in Poets & Writers Magazine’s list of publishers. I liked what I read, researched further and appreciated many of the novels, and the short story and novella anthologies because they contained excellent cutting edge work.

Gemma: They truly do – it’s a real strength of Running Wild Press.

Cover of Running Wild Anthology of Stories Vol. 3
Our New Anthology

Gemma: Do you remember when and why you started writing?

Ed: I’ve been creating stories since forever but didn’t start writing until high school as best as I can remember. I’ve always had movies running in my head and I put some of those fictions down on paper. Poetry is a different matter; channeling lyric reality is a gorgeous passion that I am compelled to express.

Gemma: That’s a wonderful description of poetry. And I love the image of movies running in your head! What’s the first piece you wrote that you’re still proud of/happy with?

Ed: It’s hard to say. There is a lot of poetry that I am very proud of that date back a ways. Written fiction was a latecomer. I got a kick out of my school days pieces but barely remember them. When I began the novel Christine, Released I knew immediately I was writing something excellent. That is the first piece of fiction I was and am truly proud of.

Gemma: Tell us a bit of what that novel is about.

Ed: Here’s a short synopsis.
Sixteen year old Christine Bancroft is desperate to escape her depressed Vermont hometown. She runs off with a small-time cocaine dealer and quickly descends into a harsh world with punishing consequences. Taken into state custody, Christine is placed at a foster home in a remote corner of Vermont where she searches for answers that may explain her suffering and her need to return to her imperfect mother. Opposing her return to her mother are the state child protection services and her estranged father who is determined to “save” his daughter. It is during the climactic custody hearing that Christine grasps her past which enables her to seize control of her fate.

Gemma: That really sounds like a gripping novel, especially knowing your skill and your voice in “Maia’s Call.” Do you remember what the seed for Christine, Released was?

Ed: I do. I had a case where the state had taken a 16 year old girl into custody because she was “unmanageable”. Her mother was a single, working mother. The girl’s estranged father hired me. In his mind the whole case was about him. I wondered how difficult it must have been for the mother to deal with a narcissist jerk like my client. The novel came into creation with the sound of a cigarette butt being dropped into a near-empty beer can, the resulting hiss. The camera in my mind’s eye drew back, and there was Christine huddled against the cold in a dank living room in a winter morning’s first light.

Gemma: Wow, that’s is an amazing story behind the story.

Cover art to Christine, Released
Christine, Released

Gemma: I’d like to hear more about your writing history.

Ed: I’ve written a lot of poetry over the years. Some has been published in journals, most recently Ginosko Literary Journal in 2018. By the way, Ginosko is an amazing publication that I encourage folks to submit to.

Winter 2018 Cover Canyon Water by Noelle Phares

Ed: I’ve written a fair number of decent short stories over the past fifteen years. Running Wild Press published my first short story, “Maia’s Call,” in Anthology #3 in September, 2019; my first novel, Christine, Released, in October, 2019, and will be publishing my first novella, Allure, in the novella anthology coming out in the fall of 2020.

Gemma: That’s a very nice run of publications! What are you working on now?

Ed: I am in the throes of writing a novel that is blowing me away, about a remarkable young woman, a nurse, during World War I. And I’m always writing poetry.


Gemma: I must ask you about that photo. Where is that street?

Ed: ee cummings Blvd. is in Old Orchard Beach, ME. I’ve been going there nearly every year for the past 20 years. It makes me smile. I love his poetry!

Gemma: I love ee cummings’ poetry, too! My older sister introduced me to him.

At Old Orchard Beach

Gemm: I’d like to hear a bit about how your writing has changed over time.

Ed: My fiction now rolls out along a clearer narrative arc now, almost effortlessly. That’s how it happens with anything that is good. My poetry is constantly shifting in theme, temperament, form, lyricism.

Gemma: I admire your ease with narrative arc – mine always seem to have some potholes and blind turns in the first draft. And I admire the poetry of yours that I’ve read, too. What’s the biggest challenge for you to write?

Ed: I have a hard time with memoir, with the demand to get the details properly remembered. When I have allowed details to come forward of their own accord, bearing their own significance, I have written much better memoir.

Gemma: What do you like best to write?

Ed: I love poetry, fiction, memoir for its own reasons. Each is rewarding in very different ways.

Gemma: When you get an idea for a story, what comes to mind first, the plot or the characters? Or does it vary from story to story?

Ed: It always starts with an image, then my minds-eye camera pulls back to reveal a scene, a character, and I follow the camera as the character is depicted in more detail, through his or her actions and the reactions of those s/he encounters, and the set of interactions and reflections coalesce into a plot, subplots and divergences.

Gemma: Just like the movie running in your mind that you described. What authors did you love most growing up? What authors have influenced your writing most?

Ed: Growing up? Fiction, I have madly loved James Joyce (Dubliners! Portrait of the Artist as a Young Man!), Louise Erdrich, Annie Proulx, Edna O’Brien, Ken Kesey, Alice Munro, Arundhati Roy, Baron Wormser (Tom O’Vietnam!), Robin MacArthur. They must have influenced my writing without my intending them to, as I deeply cherish them all (and plenty others).

Gemma: Is there a place that you’ve lived that most influences your writing?

Ed: Vermont, where I have lived, studied, raised a family and practiced law the past forty years.

Gemma: Tell me more about what you’re working on now.

Ed: I am writing the first draft of a novel featuring a nurse during World War I with astounding healing power (a saint?) amidst the carnage. It’s been wild writing this, the reveals.

Gemma: It sounds amazing. What do you plan to work on next?

Ed: Either a crime thriller set in the collapsing world of 2037. Or return to a novel that I broke from to write Christine, about three lives that intersect through one event during the Vietnam War, changing the remainder of each of their lives.

Gemma: Those are very intriguing projects! How can readers connect with you and keep up with your news?

Ed: I have a facebook page Ea/ Ed Burke, focused on literary posts.

Gemma: Thank you so much for joining me on my blog, Ed! I look forward to your future novels.

Interview with VT Dorchester

VT Dorchester Portrait by Scarlet Frost

It’s my great pleasure to continue my series of Running Wild Anthology of Stories  author interviews with VT Dorchester. VT’s story, “Under the Eye of the Crow,” is an unusual and rather haunting Western that left me eager to read more.

Gemma: Welcome, VT! Can you tell us a bit of what your story is about?

VT: “Under the Eye of the Crow” is a historic fiction in part about an outlaw (Gar Weeks) who is robbed and left on the lone prairie to die. He decides he won’t, despite his circumstance and his regrets, and we follow him as he tries to reach…well, I suppose we could call it a kind of salvation.

Gemma: Do you remember what the seed for this story was?

VT: I had written a first draft of a literary western novella in which Gar Weeks plays a significant role a few years before writing this short. When, as part of a local flash fiction group, I was assigned the prompt “torture your character,” I immediately thought of torturing Weeks! Much of his character was already established, including that he had taken part in a disaster of some kind during his service as a Union soldier.

I wrote a first few drafts of what became “Under the Eyes…” with almost the entire focus on this character dying of thirst. The story didn’t feel complete, and it sat rather unsatisfactorily for a while. After a time, I thought to specify the event during the U.S. Civil War which haunted the character and story. Doing a little research, I discovered the tragic historic incident at Ebenezer Creek, Georgia. I encourage anyone interested to search for information about The Abandonment at Ebenezer Creek. I knew immediately that I wanted to refer to that incident in this fiction.

It took several more revisions to get my story “right” enough for sending it out for possible publication, and then, when Running Wild accepted the story, I wrangled a bit, I hope politely, with the editor (Cecile Sarruf) until we finally agreed on the story as it now stands! I am glad it worked out eventually.

Gemma: And it worked out very well. Readers who want to know more about The Abandonment at Ebenezer Creek could start with Wikipedia. How did you find out about this anthology?

Cover of Running Wild Anthology of Stories Vol. 3
Our New Anthology

VT: I don’t remember. It is quite difficult to find venues which actively seek western stories, and as a result I tend to cast out my western short stories rather wildly. I’ll send them out to pretty much any publication which doesn’t specifically say “no westerns.” (I write and have published other literary and different genre stories under another name.)

Gemma: Westerns have such a long, venerable history I hadn’t thought how hard it might be to find places to publish them. I’m glad you found Running Wild Press! Do you remember when and why you started writing?

VT: The first story I remember writing “seriously” was a story about a stray cat. It was grey. I was in elementary school. I’ve played around a bit with writing ever since, but it is only in the past five years or so that I have become “serious” about writing fiction again. I don’t remember why, exactly, I decided to start writing about a cat, except that I must have felt I had an entertaining story to tell. I still feel that I have entertaining stories to tell, although I understand others may not agree.

Gemma: I most definitely do agree! (And I think one of my first stories featured a cat, too; apparently a good genre for budding writers.) What’s the first piece you wrote that you’re still proud of/happy with?

VT: While I have one other western short story published, “Under the Eye of the Crow” is definitely the one with greater depth. The other also includes (a far more laid back) Gar Weeks in its cast, but focuses on a different character. It’s a Christmas story about a bank robbery. Plus hot cocoa. No one dies.

Gemma: That sounds intriguing! Can you tell me a bit more about it?

VT: It was “The Story of Willow Henry Mcglone,” published in the 2018 “Rise” edition of Havikthe Las Positas College Journal of Arts and Literature.

Havik 2018 Cover by Lori Stoneman ed. by Kayla Sabella Weaver

Gemma: How has your writing changed over time?

VT: The first stories I wrote when I returned to fiction five years ago were pretty rough and I had trouble incorporating ideas or themes. I feel I still struggle to translate what I ‘see’ or ‘hear’ in my mind on to the page, but I’m getting better at it. I feel that my ability to edit my work has also increased greatly, as has my confidence in my work.

Gemma: For what it’s worth, I struggle with those same issues, and I know we’re not alone. But getting more proficient at editing is an excellent thing, as it can overcome a lot of those problems. What’s the biggest challenge for you to write?

VT: The End. I have trouble completing writing projects. My best example is the novella I mentioned earlier. I would like to revise, edit and work towards having it published, but instead it’s been sitting for half a decade now as I work on shorter, easier to finish projects.

Gemma: I sympathize – I have a stack of unfinished projects, too. But working on finishable projects is a very worthwhile thing. Still, I hope you finish that novella, because I really want to read it some day! What do you like best to write?

VT: While it is not evident from “Under the Eye,” I am quite happy when a reader smiles or even laughs at something intentionally funny in my stories. I also like incorporating some science, history, or a sense of location.

Gemma: “Under the Eye” did an admirable job with its sense of place and history. I can still feel the grit and thirst from reading it. When you get an idea for a story, what comes to mind first, setting, plot or character? Or does it vary from story to story?

VT: It’s often a “scene” – a particular image or series of images I can see in my mind, usually with a character present. Other times, I can “hear” a character talking to me or with another character. I have lengthy, animated conversations, sometimes in public, with my characters.

Gemma: Oh, that’s excellent! I’ve had some conversations with characters while out on walks, and been kind of mortified when someone comes up from behind me and I wonder if they’ve overheard. On another subject, what authors have influenced your writing most?

VT: My western genre writing is most influenced by classic Hollywood western films. These were generally less concerned with historical truth and more concerned with characters, place and moral codes. And horses, songs, weird shirts and big hats.

Gemma: So true! I sense “Under the Eye” has more historical truth in it than some of those classic western movies, though it shares with them a strong sense of place.

VT: Thank you. While I do not pretend to have a great deal of historical knowledge, I did conduct more research for this story than I have for many others.

I believe there will always be room for new quasi-mythic western stories in the tradition of classic westerns, but there is also a demand from modern audiences for a greater incorporation of historical truth. Westerns have always, to a greater or lesser degree, reflected the concerns and demands of society contemporary to their creation. Today, a certain degree of “realism” is in demand. It is easier than ever for writers to research, and it’s easier than ever for readers to research, too. In the case of ‘Under the Eye’ I felt a particular need to take care and research due to it’s incorporation of historical tragedy. But first and foremost, when I write, I’m trying to tell a story. A fiction story. If I get some facts right along the way, I’m glad, but the facts aren’t the most important thing to a fiction story, if they were, the story would be creative non-fiction, or a non-fiction essay, instead.

Gemma: Good points and well put, VT. Is there a place that you’ve lived or visited that especially influences your writing?

VT: I live in a small valley town in British Columbia where I am mere minutes away from hiking trails. I am also lucky enough to travel with some regularity. I regularly feel inspired by new scenery or walks in closer-to-natural settings, and my stories often involve weather events and nature.

Gemma: What stories are you working on now?

VT: While I’m not working on writing a western story right now, I am seeking publication for a short story I completed earlier this year, about a modern state trooper in eastern Oregon who has an encounter with super-natural beings during a blizzard.

Gemma: That sounds enticing! I hope that gets published because you’ve hooked me with that description.

VT: I am also looking forward to the publication of a western flavoured re-telling of the stone soup folk tale late this year with Frontier Tales.

Gemma: I can’t wait to read that – I love folk tales, and that’s actually a childhood favorite of mine. How can I and other readers keep up to date on when that comes out, and otherwise connect with you?

VT: I have a Twitter account @VTDorch, and a wordpress blog, vtdorch.wordpress.com. Thank you for the interview!

Gemma: My pleasure, VT. I look forward to reading more of your stories!

Readers, VT’s blog includes reviews of movies and books and other interesting things like a feature about Old Time Radio Shows. I hope you’ll give it a look!

Interview with Dawn DeAnna Wilson

Dawn DeAnna Wilson, Author

It’s my pleasure to continue my series of Running Wild Anthology of Stories interviews with Dawn DeAnna Wilson. Her story, “Los Sueños,” was very vivid and poignant.

Welcome, Dawn!

Gemma: Can you give a taste of what your story is about?
Dawn: The story is about a medical student who can sleep, but she can’t dream. One night, during her pathology rotation, she discovers that she can hear the dreams of the dead.

Gemma: What a striking story premise. Do you remember what the seed for it was?
Dawn: I have serious insomnia, and the whole science of sleep has always fascinated me. There was a sleep center at the hospital I used to work for, and the director knew about all these unusual and bizarre sleep disorders. Essentially, the REM phase in dream sleep is what is responsible for keeping us healthy. Dreams are necessary.

From there, it kind of meandered. I remember thinking of the dead as being “asleep” and wondering what it would be like to never, never be able to dream.

Gemma: That is quite a disturbing concept – and disturbing concepts can turn into great stories. Yours is proof of that.

Cover of Running Wild Anthology of Stories Vol. 3
Our New Anthology

Gemma: How did you find out about this anthology?
Dawn: Through the Submittable website.

Gemma: I need to explore more about Submittable’s calls for submissions and other resources for writers. Do you remember when and why you started writing?
Dawn: I wrote my first story when I was in kindergarten. I loved creating the characters and delving into different worlds. I can never remember a time when I did not want to be an author.

Gemma: That’s impressive – I’m not sure I was writing full sentences when I was in kindergarten! What’s the first piece you wrote that you’re still proud of/happy with?

Dawn: My first novel, “Saint Jude,” is about a young adult with bipolar disorder. The novel is far from perfect, but it has touched the lives of others, which of course, is the whole point of writing.

 

Gemma: That is truly something to be proud of – and the best kind of legacy for a story. Can you tell me a little more about your writing history?

Dawn: My first poem was published when I was in eighth grade and my first short story was published when I was 16.

My work has appeared in such publications as Byline, Writer’s Digest, Evangel, and The Lutheran Journal. I won second-place in the N.C. Poetry Society’s annual contest for my love poem, “Learning English in Four-Letter Words.” My play, “Jesu of Fondue,” has been produced by the Nash County Arts Council and presented as a staged reading at the Storefront Theatre in Waxhaw, NC.

I’m the author of three novels, two traditionally published and one indie published. They are Saint Jude (Tudor Publishers, 2000), Leaving the Comfort Café (The Wild Rose Press, 2007), and the indie published Ten Thousand New Year’s Eves (Carraway Bay Press, 2011). I have also compiled a short story collection that I indie published, Welcome to Shangri-La, North Carolina (Carraway Bay Press, 2011).

Gemma: You have a wonderful array of published work. How has your writing changed over time?
Dawn: I think I’m delving much more into quirky characters, exploring the difficult facets of what makes them who they are. I’m also going more outside my comfort zone, as I’m preparing to tackle a murder mystery novel that is in a genre I’ve never written before.

Gemma: Good for you for going outside your comfort zone! What’s the biggest challenge for you to write?
Dawn: I wouldn’t dare undertake some historical fiction. I would just get so easily overwhelmed by all the research.

Gemma: I have dabbled in historical fiction, and I can totally understand – I got lost in the research for a couple of years, I think! (It was a really good excuse to not get down to the nitty-gritty of writing.) What do you like best to write?

Dawn: It’s hard to say, because every story and every project has its own joys and its own personality. I think that my favorite part of the writing process is the exploration that goes on during that first draft, when you’re getting to know the characters and unearthing the story. It’s like going on a treasure hunt.

Gemma: Oh, that’s a cool analogy. When you get an idea for a story, what comes to mind first, the plot or the character(s)? Or does it vary from story to story?

Dawn: Honestly, sometimes it’s a line or two. Sometimes, it’s a scene that stands out very crisp in my mind. Then I explore—WHY did they say that? Who is in this scene and why is it important?

Gemma: I remember C.S. Lewis saying something about how the Chronicles of Narnia (one of my childhood favorites) started with the image of a faun with an umbrella in a snowstorm. So you are in good company! What authors did you love most growing up? What authors have influenced your writing most?

Dawn: Ray Bradbury, Lloyd Alexander, Ursula K. LeGuin and Rod Searling. And maybe a bit of Donald Barthelme.

Gemma: Ray Bradbury and Lloyd Alexander are two of my favorites to this day! For a long time I’ve been meaning to read Ursula K. LeGuin, and now I want to learn more about Donald Barthelme. On another topic, is there a place that you’ve lived (or visited) that most influences your writing?

Dawn: Living on the coast of North Carolina is a fantastic, inspirational place to write. There’s the gorgeous beaches, the marshy inlets and the full spectrum of Southern characters.

 

Gemma: What are you working on now?

Dawn: I’m polishing up a few short stories to try to get them ready to send out. Not trying to give anything away, but one does have a lizard man in it.

Gemma: A lizard man sounds intriguing! What do you plan to work on next?

Dawn: I’m going to tackle my first murder mystery/thriller that’s kind of in the same vein as the Stephanie Plum series.

Gemma: Going outside your comfort zones like you said! How can readers keep up with you and your writing?

Dawn: I’m around here and there. You can connect with me by contacting me through my website or on my author Facebook page. Although I encourage readers to email me through my website (I’m not on Facebook as much these days. I find that the more I’m on Facebook, the less I write)
Gemma: Oh, yes, social media and the internet in general can be such time-stealers! I find I have to keep offline to get writing done, too.

Thanks for taking time to join me on my blog, Dawn. And Happy Valentine’s Day to you and our readers!

Interview with Monique Gagnon German

Cover of Running Wild Anthology of Stories Vol. 3
Our New Anthology

I’m welcoming 2020 with interviews of some of my Running Wild Anthology of Stories colleagues. I’m delighted to begin with Monique Gagnon German, whose story Creach gripped me with its understated tension.

Welcome, Monique!

photo of author Monique Gagnon German
Monique Gagnon German, poet and author

Gemma: Give us a taste of what your story is about.
Monique: Creach is a story about a family living a simple life off-grid, until the unexpected arrives. Creach asks the question, “When something entirely new shows up in your life, do you embrace it or fear it?”

Gemma: Do you remember what the seed for this story was?
Monique: A parenthood moment spurred this story. With two kids, there is an almost constant barrage of requests for various toys, pets, games, & tech. For me, there’s always this decision-making duality: I want to protect them but I want to give them whatever they need to grow and thrive. Knowing with certainty the “best” yes’s and no’s is impossible.

Gemma: Your story crystallizes and magnifies this paradox so well!
Monique: That is a great compliment. Thank you!
Gemma: You’re very welcome! How did you find out about this anthology?
Monique: I saw a call for submissions. I investigated the background of Running Wild Press and was very impressed with who they are and what they published. When I sampled some of their published pieces, I really wanted to be in that company. I was absolutely thrilled when they wanted Creach.

Gemma: Do you remember when and why you started writing?
Monique: I grew up immersed in books. Quite the book nerd, actually. Some of my heroes include: Alice Walker, Steven King, Stephen Dunn, Nathanial Hawthorne, Lucy Grealy, Flannery O’Connor, Emily Dickinson, and Billy Collins. I wanted their jobs; I wanted to create worlds in stanzas and paragraphs.
Gemma: That is a cool way of putting it! And you wanted to be a poet from the beginning, it sounds like. What’s the first piece you wrote that you’re still proud of/happy with?
Monique: One poem I’m still proud of is, “God’s Voice,” (it was picked up by The Wayfarer).

Cover of Wayfarer magazine

 

Monique: One short story I’m still proud of is, “The Gambit Game” (it was published by The MacGuffin).

Cover of The MacGuffin magazine

 

Gemma: Tell a little about your writing history.
Monique: I started with poetry, but stories were also always coming to mind. I’ve written both pretty much all along, but only in the past few years have I submitted stories for consideration to be published.

Gemma: How has your writing changed over time?
Monique: Hopefully, it has gotten better. By better, I mean better at transporting the reader into the content, so they feel they are “in” it for the journey of the story or poem.
Gemma: In Creach and your more recent story The Now I really felt immersed in the atmospheric worlds you created, so well done! What’s the biggest challenge for you to write?
Monique: My first thought is always, hey, there’s no challenge too big! And then, the second thought races in, every story/poem I write is the current biggest challenge.

Gemma: What do you like best to write?
Monique: Anything that feels new.

Gemma: When you get an idea for a story, what comes to mind first, the plot or the character(s)? Or does it vary from story to story?
Monique: Story ideas are a combination of plot, characters, setting, and mood for me; even at inception they form a sort of blurred painting in my mind. But, usually, the spur that gets me excited to write the story is the engine: the plot concept.
Gemma: I love the “blurred painting” analogy! Plot is often what comes to me first, and spurs me to write, too. Do you tend to know the ending when you start writing?
Monique: Never. Sometimes I think I have an inkling, but I am always wrong. [laughter]

Gemma: Is there a place that you’ve lived (or visited) that most influences your writing?
Monique: I think living in so many places has influenced my writing more than any one place in particular.
Gemma: What are some of the places you’ve lived?
Monique: Massachusetts, Connecticut, Pennsylvania, California, Louisiana, Texas, Colorado, and Arizona – But before you gasp at so many moves, let me explain, I married a Marine some 14 years ago. He’s retired now but we moved every three years for awhile there based on his assignments.

Gemma: What are you working on now?
Monique: A few things are in progress… a few new flash fiction stories… a few new poems. I have a process where I get multiple things started, then edit, change, edit, change, edit until they feel done.
Gemma: I admire your ability to work on more than one thing at a time! Readers can find one of your recent works, The Now, on Typishly. I really liked how swiftly I was immersed in that new world, and the tense journey you took readers on.
Monique: Thank you. I had a weird sense of fun writing The Now, I felt immersed in that world and like I was seeing it rather than “inventing” it. That story really came alive almost movie-like in my mind when I was writing it and it was such a cool journey for me.
Gemma: That is cool! And I think it shows in the story. How can readers connect with you and find out more about your work?
Monique: The best way is through my website or email.

Gemma: Thank you so much for joining me on my blog, Monique! I hope readers will check out your stories in our Anthology, TypishlyThe Wayfarer, and The MacGuffin. And if you haven’t gotten a copy of Running Wild Anthology of Stories Vol. 3 to read her story and all its fine company, do so!

Check back in coming weeks for more interviews with my Anthology colleagues.

 

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