Interview with Jenn Powers

photo of Jenn Powers
Jenn Powers, Writer and Visual Artist

I’m very pleased to continue my series of Running Wild Anthology of Stories author interviews with Jenn Powers. Her story, “A Friend’s Text,” captured my senses with its vivid imagery and my emotions with the plight of the main character.

Welcome, Jenn!

Gemma: Please give us a taste of what your story is about.
Jenn: My short story, “A Friend’s Text,” is about a woman who has an epiphany that helps lead her out of an unhealthy love affair with a married millionaire.

Gemma: Do you remember what the seed for this story was?
Jenn: Yes, I do. I fictionalized a similar relationship I had fallen into myself. During that relationship, I always felt like I was betraying my true self—the core of who I am. Once I decided to do the right thing and end the relationship, it was completely life-altering and empowering, even though the pain was immense. I think this scenario is, unfortunately, too common. I hope my story will inspire others to find it within themselves to do the right thing if they’re in an unhealthy relationship, which comes in many forms.

Gemma: That is truly a powerful mission, and I can see your story being a positive catalyst. Can you tell us a little about your writing history?
Jenn: I started journaling when I was 15 years old. It was a way for me to soothe my emotions since I was quite lonely and I didn’t have many people I could trust or open up to. Journaling turned into a survival mechanism. Being able to spill out my troubles onto the blank page became (and still is) very therapeutic.

Gemma: Writing can be such a healing process, and to be able to share that is a gift.  I found out from your website that you’re an artist as well as a writer. Does art have a therapeutic effect for you like writing does?

Jenn: Absolutely. Whenever I’m being creative or out in nature, I lose myself. It’s very in-the-moment mindfulness. I’ve always struggled with anxiety, even as a child, and so, early on I found ways to tend to that. I figured out how to self-soothe with art and nature. I journaled throughout my teens and the writing sort of bloomed in different directions from there. I can say the same thing regarding art. Painting, drawing, photography. One feeds the other. And both feed me. It’s symbiotic.

Eventually, I played around with creative writing, such as flash fiction and short stories. By my 30s, I started to pursue it seriously and I got my first short story publication in 2012.

Gemma: I’d like to hear more about that.
Jenn: My first publication was in The MacGuffin in 2012, a short story about domestic violence. It’s titled “Some of Us.” I’m proud of this piece because it’s important to keep violence against women (and men) at the forefront.

Gemma: That’s truly something to be proud of, and a vital message. Can you tell a little more about your writing history?

Jenn: I kept at the craft, sporadically, while living life and working a multitude of jobs. Around 30 to 33 years old, I took writing more seriously. I wrote several days per week, and now, about eight years later, I have around 70 publications in literary journals. (Half art, half writing.)

Stonecoast Review Winter 2017 - Cover by Jenn Powers
Stonecoast Review Winter 2017 -Cover by Jenn Powers

Jenn: I earned an MFA in 2014 and I plan on applying to PhD programs this year.

Gemma: That’s impressive and exciting! What are some of your recent publications?

Jenn: My most recently published short stories are available online. “Pinned Butterflies” was published in Lunch Ticket, Winter/Spring 2020.

“1975” Charcoal, pencil, and pen by Famous Unobuarie

Image Courtesy of Lunch Ticket Literary & Art Journal Issue 16

“December, 1993” was published in Witness Magazine, Dark Holidays Zine 2019. And, in March/April 2020, my story “Window Light” will be published in Gemini.

Witness cover photo by Rob Allen
Witness Dark Holidays photo by Rob Allen

Gemma: Very cool to have so many stories published in so short a period! How has your writing changed over time?

Jenn: I’m continuously growing as a writer. It’s a constant learning process, and, for me, there’s no end point. I improve every year. And, like anything, the more you work at something, the better you get at it.

Gemma: What do you like best to write?

Jenn: Drama, thriller, mystery.

Gemma: What’s the biggest challenge for you to write?

Jenn: I tried writing in other genres, like romance. But it doesn’t work for me. I write about the dark stuff. I’ve experienced some crazy situations. I’ve been a victim many times over, but I’d rather call myself a survivor. As a survivor, I empower myself through writing, and I believe my past experiences have molded my style and preferences.

Gemma: And good stories, like “A Friend’s Text,” can empower readers in turn. When you get an idea for a story, what comes to mind first, the plot or the characters? Or does it vary from story to story?

Jenn: It varies from story to story. It might even be a feeling, a song, a landscape or place that makes me feel something. When I sense that dip of inspiration, I stop to explore where it’s coming from. Does it remind me of something or someone? Does it reconnect me with a lost emotion? My ideas come from the strangest places and my inspiration is super-fickle. I’ll sit there frustrated for hours, take a break and go for a walk or run, and an idea will hit me. Boom! Just like that. Easy-peasy. Taking the pressure off can stimulate creativity. And creativity needs to be organic, natural, flowing.

Gemma: I often get some of my best ideas walking, too. If nothing else, it can open up the channel and let the creativity flow, as you say. I read on your website that you have a fondness for botany and geology as well as music. I have a love of biology and botany that’s stuck with me since junior high, so that resonates with me! Do you have stories that particularly reflect botany, geology, or music?

Jenn: A driving force in my life is exploring nature, whether that comes in the form of hiking up Mt. Washington, driving solo cross country, or studying a birch tree throughout the seasons. Inevitably, this passion and interest has infused my life and work as a writer and visual artist.

Jenn climbing Mt Washington
Jenn Climbing Mt Washington

Jenn: Growing up as an only child without too many close friends, I always found solace in nature. Early on, I’d collect pinecones and chips of Mica and bluets. I’d explore the forests and swamps near my neighborhood. I’d be outdoors as much as possible. I’d also draw, paint, and write since I was alone a lot. In school, ecology and biology classes felt very natural to study. It came easy, even though I majored in English and creative writing in college.

About seven years ago, I started studying botany. I love exploring the woods with a field guide to identify the plants, flowers, and trees. Mostly the New England area, and specifically, Connecticut. I like to observe how nature changes throughout the seasons. It’s like getting to know a friend. I focus on the anatomy, ecology, and taxonomy. It’s fun to nail down genus and species. It’s this entire plant kingdom that’s keeping us alive, and vice versa. A true symbiotic relationship. It amazes me how every little thing is connected. I just started getting into geology too—rocks and minerals of a particular location and the geological history of that location. For example, the plethora of rock walls crisscrossing New England.

So, as you see, this passion I have for the outdoors has formed a large part of who I am today as an adult, and, inevitably, it shows up in my work. I’ve used nature (or setting) as a character itself in many of my short stories. It’s a tool used to set the tone or mood. It can be used symbolically, metaphorically. It can literally be an extension of the protagonist or antagonist, or even a minor character. Mix that up with being a fan of nature writers, like Emerson, Thoreau, Muir, Dillard, Ackerman, and certain literary periods and movements, like the Romantics, Gothic, the Transcendentalists, the Beat Poets, and contemporary mysteries and thrillers, and that’s my writer-artist brain on fire. It’s nostalgia, melancholy, and the darker side of nature rolled into one.

Since I started writing a mystery-thriller in 2016, I’ve infused my novel with a lot of botany, and I believe it adds something truly special. I believe people want to feel that connection to earth, which is so easily lost in today’s fast-paced, superficial, materialistic society. They want real. They want to feel something that’s good for their soul. I also believe the more you know about a specific region, the better. You may not use all of that collected information but knowledge is never a waste.

Gemma: I totally agree – knowledge has worth for its own sake, and you never know what connections that will spark in your brain. You mentioned several authors before – what authors did you love most growing up? And what other authors have influenced your writing?

Jenn: Ironically, I didn’t read a lot as a kid. I loved being read to in school. I remember falling in love with the work by Shel Silverstein and Dr. Seuss. I liked the Sweet Valley High series too. I liked The Catcher in the Rye, The Outsiders, and Poe and Bram Stoker. But it wasn’t until college that my obsession with books began. As an adult, I’ve been most influenced by legends like Joyce Carol Oates, Flannery O’Connor, Truman Capote, John Cheever, Joan Didion, and Mark Twain. As for more recent authors, I read Gillian Flynn, Shari Lapena, Jennifer McMahon, Delia Owens, Janet Fitch, Karin Slaughter, A.J. Finn. I could go on and on.

Gemma: It’s a wonderful thing to have so many authors to love, and it makes it hard to name just a few! What are you reading right now?
Jenn: I’m reading several books right now. For fiction, I’m reading Burntown by Jennifer McMahon and Paint It Black by Janet Fitch. For nonfiction, I’m reading Kaufman’s Field Guide to Nature of New England, and, National Audubon Society Field Guide to North American Wildflowers (Eastern).

Gemma: I love reading field guides, too, and I actually use them sometimes even though I write fantasy! They really can help ground you in a place by learning about the other living things around you. Is there a place that you’ve lived that most influences your writing?

Jenn: Old New England. The snowy, gray winters. The green hills and rock walls. The homesteads and chimney smoke.

Gemma: Where I live in Pennsylvania has a lot in common, and the green hills, rock walls and centuries-old buildings are inspiring to me, too. Tell us a bit about what you are working on now.

Jenn: I’m writing a mystery thriller around 80-90K words. I’m in the rewriting phase. I should be done by spring and will be searching for agent representation. I’m also working on a collection of paintings/drawings based on the hometown in my novel. Here’s an example of where my passions overlap each other. Science meets art. Left brain meets right. I’m in love with nature, but I’m also in love with art. The fictional hometown in my novel is named Rockwall Springs, which is loosely based off Tolland, Connecticut, my own hometown.

Gemma: That is so cool! Will your artwork about the town be viewable by your readers?

Jenn: Yes, these photos and paintings will be available for anyone interested. I’ve had several photos of Rockwall Springs published in various literary journals. For example, three photographs were published in The Sandy River Review (September 2018) and one photo was published in Blue Mesa Review (Issue 39, 2019).

Gemma: What do you plan to work in next?

Jenn: As soon as I begin the querying process for this book, I will begin another mystery thriller. I would like to write them in succession. I’m also working on short prose, poetry, and art.
Gemma: It’s very impressive that you work on multiple projects at once. Will the next mystery-thriller be a sequel to the one you’re working on now, or are they stand-alones?
Jenn: That’s a good question. I’m open to either option. As of right now, it’s a stand-alone novel. But, I could definitely create more novels using the same characters and settings. If not, I’d like to write a mystery-thriller every two years or so. Once I find an agent and get a book deal, that’s my goal. I want to stay productive.

Gemma: How did you find out about this anthology?

Jenn: Honestly, I don’t remember. I am a subscriber to several outlets offering opportunities for creative writers. It might’ve been via Submittable. I am thrilled to have found this west coast press.

Cover of Running Wild Anthology of Stories Vol. 3
Our New Anthology

Gemma: How can readers connect with you and find out more about your work?

Jenn: I have a professional website at www.jennpowers.com . You can use the contact form to reach me. You can also follow me on Facebook @CTwriter and Twitter @livinglife1107.

Gemma: Thanks so much for joining me on my blog, Jenn! Readers, I hope you will follow the links and check out her online stories.

Check back in a couple of weeks for a special guest blog.

Interview with Dawn DeAnna Wilson

Dawn DeAnna Wilson, Author

It’s my pleasure to continue my series of Running Wild Anthology of Stories interviews with Dawn DeAnna Wilson. Her story, “Los Sueños,” was very vivid and poignant.

Welcome, Dawn!

Gemma: Can you give a taste of what your story is about?
Dawn: The story is about a medical student who can sleep, but she can’t dream. One night, during her pathology rotation, she discovers that she can hear the dreams of the dead.

Gemma: What a striking story premise. Do you remember what the seed for it was?
Dawn: I have serious insomnia, and the whole science of sleep has always fascinated me. There was a sleep center at the hospital I used to work for, and the director knew about all these unusual and bizarre sleep disorders. Essentially, the REM phase in dream sleep is what is responsible for keeping us healthy. Dreams are necessary.

From there, it kind of meandered. I remember thinking of the dead as being “asleep” and wondering what it would be like to never, never be able to dream.

Gemma: That is quite a disturbing concept – and disturbing concepts can turn into great stories. Yours is proof of that.

Cover of Running Wild Anthology of Stories Vol. 3
Our New Anthology

Gemma: How did you find out about this anthology?
Dawn: Through the Submittable website.

Gemma: I need to explore more about Submittable’s calls for submissions and other resources for writers. Do you remember when and why you started writing?
Dawn: I wrote my first story when I was in kindergarten. I loved creating the characters and delving into different worlds. I can never remember a time when I did not want to be an author.

Gemma: That’s impressive – I’m not sure I was writing full sentences when I was in kindergarten! What’s the first piece you wrote that you’re still proud of/happy with?

Dawn: My first novel, “Saint Jude,” is about a young adult with bipolar disorder. The novel is far from perfect, but it has touched the lives of others, which of course, is the whole point of writing.

 

Gemma: That is truly something to be proud of – and the best kind of legacy for a story. Can you tell me a little more about your writing history?

Dawn: My first poem was published when I was in eighth grade and my first short story was published when I was 16.

My work has appeared in such publications as Byline, Writer’s Digest, Evangel, and The Lutheran Journal. I won second-place in the N.C. Poetry Society’s annual contest for my love poem, “Learning English in Four-Letter Words.” My play, “Jesu of Fondue,” has been produced by the Nash County Arts Council and presented as a staged reading at the Storefront Theatre in Waxhaw, NC.

I’m the author of three novels, two traditionally published and one indie published. They are Saint Jude (Tudor Publishers, 2000), Leaving the Comfort Café (The Wild Rose Press, 2007), and the indie published Ten Thousand New Year’s Eves (Carraway Bay Press, 2011). I have also compiled a short story collection that I indie published, Welcome to Shangri-La, North Carolina (Carraway Bay Press, 2011).

Gemma: You have a wonderful array of published work. How has your writing changed over time?
Dawn: I think I’m delving much more into quirky characters, exploring the difficult facets of what makes them who they are. I’m also going more outside my comfort zone, as I’m preparing to tackle a murder mystery novel that is in a genre I’ve never written before.

Gemma: Good for you for going outside your comfort zone! What’s the biggest challenge for you to write?
Dawn: I wouldn’t dare undertake some historical fiction. I would just get so easily overwhelmed by all the research.

Gemma: I have dabbled in historical fiction, and I can totally understand – I got lost in the research for a couple of years, I think! (It was a really good excuse to not get down to the nitty-gritty of writing.) What do you like best to write?

Dawn: It’s hard to say, because every story and every project has its own joys and its own personality. I think that my favorite part of the writing process is the exploration that goes on during that first draft, when you’re getting to know the characters and unearthing the story. It’s like going on a treasure hunt.

Gemma: Oh, that’s a cool analogy. When you get an idea for a story, what comes to mind first, the plot or the character(s)? Or does it vary from story to story?

Dawn: Honestly, sometimes it’s a line or two. Sometimes, it’s a scene that stands out very crisp in my mind. Then I explore—WHY did they say that? Who is in this scene and why is it important?

Gemma: I remember C.S. Lewis saying something about how the Chronicles of Narnia (one of my childhood favorites) started with the image of a faun with an umbrella in a snowstorm. So you are in good company! What authors did you love most growing up? What authors have influenced your writing most?

Dawn: Ray Bradbury, Lloyd Alexander, Ursula K. LeGuin and Rod Searling. And maybe a bit of Donald Barthelme.

Gemma: Ray Bradbury and Lloyd Alexander are two of my favorites to this day! For a long time I’ve been meaning to read Ursula K. LeGuin, and now I want to learn more about Donald Barthelme. On another topic, is there a place that you’ve lived (or visited) that most influences your writing?

Dawn: Living on the coast of North Carolina is a fantastic, inspirational place to write. There’s the gorgeous beaches, the marshy inlets and the full spectrum of Southern characters.

 

Gemma: What are you working on now?

Dawn: I’m polishing up a few short stories to try to get them ready to send out. Not trying to give anything away, but one does have a lizard man in it.

Gemma: A lizard man sounds intriguing! What do you plan to work on next?

Dawn: I’m going to tackle my first murder mystery/thriller that’s kind of in the same vein as the Stephanie Plum series.

Gemma: Going outside your comfort zones like you said! How can readers keep up with you and your writing?

Dawn: I’m around here and there. You can connect with me by contacting me through my website or on my author Facebook page. Although I encourage readers to email me through my website (I’m not on Facebook as much these days. I find that the more I’m on Facebook, the less I write)
Gemma: Oh, yes, social media and the internet in general can be such time-stealers! I find I have to keep offline to get writing done, too.

Thanks for taking time to join me on my blog, Dawn. And Happy Valentine’s Day to you and our readers!

Urban Fantasy Magazine Reviews Our Anthology

I’m very pleased to report that Urban Fantasy Magazine has reviewed Running Wild Anthology of Stories V.3.

Cover of Running Wild Anthology of Stories Vol. 3
Our New Anthology

There’s a rich variety of stories in our anthology; not all of them are urban or contemporary. (Take, for example, VT Dorchester’s haunting Western, Under the Eye of the Crow, and Monique German Gagnon’s Creach, which takes place at an indeterminate time.) And by no means all involve elements of fantasy. But as Katrina points out, “There’s an air of mystery that ties all the stories together; the sense that something more is going on in the scene below the surface.” And the very variety of the stories included is one of the anthology’s many pleasures

Along with her thoughtful review, Katrina (editor) also generously posted an interview with me. Elsewhere on the website you can find helpful and interesting reviews of books of speculative fiction both new and old. It’s well worth taking a look!

Interview with Monique Gagnon German

Cover of Running Wild Anthology of Stories Vol. 3
Our New Anthology

I’m welcoming 2020 with interviews of some of my Running Wild Anthology of Stories colleagues. I’m delighted to begin with Monique Gagnon German, whose story Creach gripped me with its understated tension.

Welcome, Monique!

photo of author Monique Gagnon German
Monique Gagnon German, poet and author

Gemma: Give us a taste of what your story is about.
Monique: Creach is a story about a family living a simple life off-grid, until the unexpected arrives. Creach asks the question, “When something entirely new shows up in your life, do you embrace it or fear it?”

Gemma: Do you remember what the seed for this story was?
Monique: A parenthood moment spurred this story. With two kids, there is an almost constant barrage of requests for various toys, pets, games, & tech. For me, there’s always this decision-making duality: I want to protect them but I want to give them whatever they need to grow and thrive. Knowing with certainty the “best” yes’s and no’s is impossible.

Gemma: Your story crystallizes and magnifies this paradox so well!
Monique: That is a great compliment. Thank you!
Gemma: You’re very welcome! How did you find out about this anthology?
Monique: I saw a call for submissions. I investigated the background of Running Wild Press and was very impressed with who they are and what they published. When I sampled some of their published pieces, I really wanted to be in that company. I was absolutely thrilled when they wanted Creach.

Gemma: Do you remember when and why you started writing?
Monique: I grew up immersed in books. Quite the book nerd, actually. Some of my heroes include: Alice Walker, Steven King, Stephen Dunn, Nathanial Hawthorne, Lucy Grealy, Flannery O’Connor, Emily Dickinson, and Billy Collins. I wanted their jobs; I wanted to create worlds in stanzas and paragraphs.
Gemma: That is a cool way of putting it! And you wanted to be a poet from the beginning, it sounds like. What’s the first piece you wrote that you’re still proud of/happy with?
Monique: One poem I’m still proud of is, “God’s Voice,” (it was picked up by The Wayfarer).

Cover of Wayfarer magazine

 

Monique: One short story I’m still proud of is, “The Gambit Game” (it was published by The MacGuffin).

Cover of The MacGuffin magazine

 

Gemma: Tell a little about your writing history.
Monique: I started with poetry, but stories were also always coming to mind. I’ve written both pretty much all along, but only in the past few years have I submitted stories for consideration to be published.

Gemma: How has your writing changed over time?
Monique: Hopefully, it has gotten better. By better, I mean better at transporting the reader into the content, so they feel they are “in” it for the journey of the story or poem.
Gemma: In Creach and your more recent story The Now I really felt immersed in the atmospheric worlds you created, so well done! What’s the biggest challenge for you to write?
Monique: My first thought is always, hey, there’s no challenge too big! And then, the second thought races in, every story/poem I write is the current biggest challenge.

Gemma: What do you like best to write?
Monique: Anything that feels new.

Gemma: When you get an idea for a story, what comes to mind first, the plot or the character(s)? Or does it vary from story to story?
Monique: Story ideas are a combination of plot, characters, setting, and mood for me; even at inception they form a sort of blurred painting in my mind. But, usually, the spur that gets me excited to write the story is the engine: the plot concept.
Gemma: I love the “blurred painting” analogy! Plot is often what comes to me first, and spurs me to write, too. Do you tend to know the ending when you start writing?
Monique: Never. Sometimes I think I have an inkling, but I am always wrong. [laughter]

Gemma: Is there a place that you’ve lived (or visited) that most influences your writing?
Monique: I think living in so many places has influenced my writing more than any one place in particular.
Gemma: What are some of the places you’ve lived?
Monique: Massachusetts, Connecticut, Pennsylvania, California, Louisiana, Texas, Colorado, and Arizona – But before you gasp at so many moves, let me explain, I married a Marine some 14 years ago. He’s retired now but we moved every three years for awhile there based on his assignments.

Gemma: What are you working on now?
Monique: A few things are in progress… a few new flash fiction stories… a few new poems. I have a process where I get multiple things started, then edit, change, edit, change, edit until they feel done.
Gemma: I admire your ability to work on more than one thing at a time! Readers can find one of your recent works, The Now, on Typishly. I really liked how swiftly I was immersed in that new world, and the tense journey you took readers on.
Monique: Thank you. I had a weird sense of fun writing The Now, I felt immersed in that world and like I was seeing it rather than “inventing” it. That story really came alive almost movie-like in my mind when I was writing it and it was such a cool journey for me.
Gemma: That is cool! And I think it shows in the story. How can readers connect with you and find out more about your work?
Monique: The best way is through my website or email.

Gemma: Thank you so much for joining me on my blog, Monique! I hope readers will check out your stories in our Anthology, TypishlyThe Wayfarer, and The MacGuffin. And if you haven’t gotten a copy of Running Wild Anthology of Stories Vol. 3 to read her story and all its fine company, do so!

Check back in coming weeks for more interviews with my Anthology colleagues.

 

Interview with Alexandra Coulter

The Easy Road by Alexandra Coulter

It’s my great pleasure to welcome Alexandra Coulter to my blog. Alexandra has been in a critique group with Aud Supplee and me for many years.

Welcome, Alexandra!

Tell me a bit about your writing history. When did you realize you wanted to be a writer? And what led to that?
Alexandra: I had written most of my life and always enjoyed it. My earliest memory was of a story about lions I wrote in 3rd grade. I penned several collections of stories about a group of characters in spiral notebooks. From time to time I’d write stories or essays on a topic. However, no one ever said I could be a writer.

Gemma: Was that discouraging? Or was it simply not something that you thought about?Alexandra: I wasn’t discouraged.  I wrote because I enjoyed doing it.  As the years went by, I did several writing assignments and a few articles for friends and relatives, but it still hadn’t occurred to me that I might be a writer.

Gemma: Wow, even after doing significant writing… So, how did you come to that realization?Alexandra: During a time when I didn’t have to work, faced with many hours alone at home, I knew it was time for me to figure out what I wanted to be when I grew up. I had spent my working career chasing the music business the only way I knew how, through my administrative, typing and organizing skills. A series of unsatisfactory jobs leading up to my semi early retirement left me wondering what to do with myself. Was I going to give up and do nothing, looking for the same old job or make a commitment to become a writer? When it dawned on me that I had already done a lot of writing and I really enjoyed it and found it easy, the decision was made.

Gemma: Excellent! To find something that you enjoy and that comes easily is really a gift.
What came next?
Alexandra: That prompted me to take a writing class, get a lot of library books and learn everything I could about it. Despite a difficult teacher, I produced in that class, writing 2 and a half short stories, while most of the class only managed 1 over the 6 weeks. After a short set back, I came out swinging.

Gemma: Good for you for overcoming that setback. Was it the teacher?
Alexandra: Yes it was. He criticized everything I did, including commenting on knowledge he didn’t have, on the content. The rest of the class liked what I did. So, I eventually realized he was a jerk and that shouldn’t stop me from moving toward becoming a writer.
Gemma: Excellent. That’s not an easy realization to come to. Where did you go from there?
Alexandra: I had read somewhere that you can call yourself a writer when you’ve written 100,000 words. I was determined to do it! I remember the day I realized I’d reached that point. When I had reduced the number of words in my novel from 180,000 to 100,000. I figured I must have written much more than 100,000 words, maybe pushing 300 or 400,000! That was the moment I felt I could call myself a writer.
Gemma: I had never heard that definition – but that’s an excellent goal to achieve. And it’s quite cool that you came to it not by struggling to reach that number, but by cutting down to it.

Gemma: Tell me a bit more about your writing history.
Alexandra: My first published writing came in college where I maintained a monthly column called “Stick this in Your Ear,” which featured my thoughts on contemporary music and local musicians. I had been writing love stories and essays. And even a few pieces for local small-town publications. From the first writing class, I developed my stories into novels and worked with them. The first novel, The Easy Road, was published on Amazon as an e-book in 2012.

The Easy Road by Alexandra Coulter

Alexandra: When I found myself out of work again, I decided to give professional freelance writing a try. I had moderate and sporadic success which had me running back to the safety of a “real” job time and time again. I gave up the idea of freelance writing in 2014 and have never looked back. I continue to play with my second novel and am developing a book for teenage girls, through my critique group, that I hope to publish in the next few years. Writing continues to be a practice for me, striving for 3 pages a day and 10 pages a month.
Gemma: 10 pages a month is my goal, too – perhaps not coincidentally the page limit for our critique group!

Gemma: what’s the first piece you wrote that you’re still proud of?
Alexandra: I think the initial short story of Easy Road was maybe my first truly organized and me-inspired work I’d done. For the class I wrote a sci-fi story that I do still like, but The Easy Road has come to be a much bigger piece of work and more integral to my growth as a writer. I haven’t read it in a long time, but I feel proud of putting it together and publishing it.

Gemma: that really is an accomplishment! Tell a little of what it’s about.
Alexandra: It’s about a 30-something accountant with aging parents, a girlfriend and an impending partnership in the accounting firm who’s offered a record deal. He struggles with taking what he always thought of as the easy road of sex, drugs and rock n’ roll.
Gemma: I’ve read drafts of that novel in our critique group, and it was quite a ride! It’s so satisfying that now it’s a book.

Gemma: What do you feel is your mission as a writer?
Alexandra: My mission has always been to say what I feel compelled to say. I wish to be a conduit for words. I believe I have stories to tell and messages to communicate. I’m not sure I can say what writing means to me. It’s always been my solace. I have been journaling steadily for many, many years now. It has allowed me to find my voice and my inner core, to learn more about myself and how I tick. Writing has allowed me to express the visions in my head. Written words have, at times, allowed me to express thoughts and feelings I couldn’t any other way.
Gemma: So much of that rings true for me, and I bet it resonates with many other writers, too.

Gemma: What’s the hardest part of writing for you?
Alexandra: Well, that has changed over the years. I think, these days, the hardest part is finding the time and energy to give to it.

Gemma: What’s the part of writing you like best?
Alexandra: I’d like to say that it is when I get it right on paper. When I say exactly what it is I wanted to say. That is a wonderful part of it. But I also really like praise. When someone appreciates what I’ve said to them. That I have somehow eased or lightened their burden, lifted their hearts, opened their eyes.
Gemma: That’s the most wonderful kind of feedback, I think. Your writing has certainly opened my eyes in some new ways!

Gemma: What kind of experiences have most influenced your writing?
Alexandra: My experiences in the music business have certainly had an influence on my fiction writings. I find what inspires me more than anything is live music. Live performances. I do like to write with music on. I am quite sure that influences me on many levels. My other impactful influences are other people and their words.
Gemma: And your writing often has music and musicians in it – that influence really shines through.

Gemma: What other kinds of things have an effect on your writing?
Alexandra: Maybe movies like Help and Spinal Tap had an effect on my writing. Certainly, it was the people I met. As for my non-fiction writing, I have been influenced by Susan Jeffers, SARK, Marianne Williamson, and Libby Gill. Writing teachers Brenda Ueland, Natalie Goldberg, and Anne Lamott. I’d have to say too, that I have been heavily influenced by my writer’s group who have kept me committed, guided me back to the path and showed me a new way month by month.
Gemma: Me, too, Alexandra, me too!

Gemma: What kind of things do you read?
Alexandra: I don’t have a lot of time to read these days. Most of what I read are my colleagues’ work. I read selected works of the spiritual authors I most like and I read health and healthy eating publications.
Gemma: I’m touched and honored our pieces are a lot of what you read – but also sad you don’t have time for more!

Gemma: What are you reading presently?
Alexandra: I am reading Ask and it is Given by Esther and Jerry Hicks. An Abraham book. There are quite a few business books in my stack and I always have an inspirational writing book. At the moment it’s If You Want to Write by Brenda Ueland.
Gemma: I’m glad you take time to read these!

Gemma: What are you working on now?
Alexandra: My focus continues to be How to Create an Awesome Life – A curriculum for girls. A book of classes for girls 14 to 18 to help them find themselves and build lives they can love. I am working on 2-pages per day writing practice on a topic and trying to complete an essay every month (or 2). I am also working on developing my writing at work to be able to grow my career.

Gemma: What is the next project you hope to work on?
Alexandra: I have a good draft of my second novel, Lucky Day. When I complete the Awesome Life, I hope to do a final draft of the novel.
Gemma: Tell us a little bit about Lucky Day.
Alexandra: This one is about a girl drummer who dreams of recording her songs, but her bad luck continually keeps her from realizing her dream.
Gemma: I’ve read that in its earlier drafts, and I’d love to see it published.

Alexandra: My first novel, The Easy Road, will be published as a physical book this year.
Gemma: that’s very cool!
Alexandra: And I want to work on my publishing company, UpWrite Words, including a physical book from author Paulette Terrels-Clarke. Other projects bubbling under the surface are to revive my blog and develop some of the material I have in my files.
Gemma: that sounds like a lot of great projects to look forward to.

Gemma: Readers, check out the e-book of The Easy Road here. And be sure to check back for Alexandra’s future projects.

Alexandra: Thanks, Gemma, for talking with me. It’s been a real pleasure!
Gemma: The pleasure is mutual! Thanks for being part of my blog, and part of our critique group!

 

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